Found this article. Found it incredibly helpful. Be sure to go read the full story, but these are the ten questions the author (Lydia Netzer) covers in it:1. At what point did you feel like “Ah, now the story has really begun!”
2. What were the points where you found yourself skimming?
3. Which setting in the book was clearest to you as you were reading it? Which do you remember the best?
4. Which character would you most like to meet and get to know?
5. What was the most suspenseful moment in the book?
6. If you had to pick one character to get rid of, who would you axe?
7. Was there a situation in the novel that reminded you of something in your own life?
8. Where did you stop reading, the first time you cracked open the manuscript? (Can show you where your first dull part is, and help you fix your pacing.)
9. What was the last book you read, before this? And what did you think of it? (This can put their comments in context in surprising ways, when you find out what their general interests are. It might surprise you.)
10. Finish this sentence: “I kept reading because…”
The problem that needs to be fixed is not kick all the girls out of YA, it’s teach boys that stories featuring female protagonists or written by female authors also apply to them. Boys fall in love. Boys want to be important. Boys have hopes and fears and dreams and ambitions. What boys also have is a sexist society in which they are belittled for “liking girl stuff.” Male is neutral, female is specific.
I heard someone mention that Sarah Rees Brennan’s THE DEMON’S LEXICON would be great for boys, but they’d never read it with that cover. Friends, then the problem is NOT with the book. It’s with the society that’s raising that boy. It’s with the community who inculcated that boy with the idea that he can’t read a book with an attractive guy on the cover.
Here’s how we solve the OMG SO MANY GIRLS IN YA problem: quit treating women like secondary appendages. Quit treating women’s art like it’s a niche, novelty creation only for girls. Quit teaching boys to fear the feminine, quit insisting that it’s a hardship for men to have to relate to anything that doesn’t specifically cater to them.
Because if I can watch Raiders of the Lost Ark and want to grow up to be an archaeologist, there’s no reason at all that a boy shouldn’t be able to read THE DEMON’S LEXICON with its cover on. My friends, sexism doesn’t just hurt women, and our young men’s abysmal rate of attraction to literacy is the proof of it.
If you want to fix the male literary crisis, here’s your solution:
Become a feminist.
"never use this word because it’s common, instead use all of these things that i’ll call synonyms even though they carry different connotations and will change the meaning of your dialogue if you use them" — very bad and unfortunately very common writing advice
Who after birth did’st by my side remain,
Till snatcht from thence by friends, less wise than true,
Who thee abroad exposed to public view,
Made thee in rags, halting to th’ press to trudge,
Where errors were not lessened (all may judge).
At thy return my blushing was not small,
My rambling brat (in print) should mother call.
I cast thee by as one unfit for light,
The visage was so irksome in my sight,
Yet being mine own, at length affection would
Thy blemishes amend, if so I could.
I washed thy face, but more defects I saw,
And rubbing off a spot, still made a flaw.
I stretcht thy joints to make thee even feet,
Yet still thou run’st more hobbling than is meet.
In better dress to trim thee was my mind,
But nought save home-spun cloth, i’ th’ house I find.
In this array, ‘mongst vulgars may’st thou roam.
In critic’s hands, beware thou dost not come,
And take thy way where yet thou art not known.
If for thy father askt, say, thou hadst none;
And for thy mother, she alas is poor,
Which caused her thus to send thee out of door.
|—||Anne Bradstreet, The Author to her Book|
Reblogging aggressively. Some publishers will throw your manuscript into the slush pile or, worse, the trash if you don’t follow their desired format. Spec fic publishers are especially strict about manuscript formatting.
Also reblogging aggressively.
that wonderful moment when you decide to kill a member of the main cast
You’re going to be that one writer, one day, for somebody you may never meet. Nobody can write that book you’re going to write—that book that will light up and change up a life—but you.
Learn the one true rule of writing. The rule which is absolutely inviolate and true:
1. Yea, Verily. You Must Sit Down and Write.
1a. Thou shalt not go see a movie instead. Or watch reality TV. Thou shalt write. No. Stop. You don’t need to clean out the fridge right now. Neither dost thou need to sort the recycling. I’m not even kidding. Go and write.
1b. Thou shalt not just think about writing. That is not writing. The worst unpublished novel of all-time is better than the brilliant idea you have in your head. Why? Because the worst novel ever is written down. That means it’s a book, while your idea is just an idle fancy.
1c. Thou shalt not read, either. I know it’s book-related, but it’s not actually writing. Yes, even if it’s a book about how to write. Yes, even if you’re doing research. You can research later. Sit. Down. Write.
Inspiration isn’t what gets your book written. Discipline is.
Inspiration is fickle: it shows up when you least expect it, all sexy and exhilarating and reminding you why you put your butt in that chair and turned off Tumblr and forced yourself to trudge through the valley of no-good, very-bad first drafts. Enjoy that inspiration while it’s there. Enjoy it thoroughly because it is rare and precious.
Just don’t expect it to show up every day. The only thing that needs to show up every day is yourself—and your determination to see this through to the end.
Don’t be sorry! Writing about fighting when you have no practical experience is a difficult challenge and writing fight sequences when you do is still time consuming. There are a lot pieces working together and figuring out how they function is difficult and something very few writers actually do well.
Here are a list some of our posts that may be helpful to you:
Also check anything in our Michael Janich tag, he is a very good instructor who teaches self-defense. I refer people to his videos for the work he does with concepts, where he actively explains what a technique is, what it does, and why it’s used before teaching the technique. As a writer, you need both technique and concept before you can put it on the page.
I plan on doing a write up on both elbows and knees in the near future. There’s a lot of misconceptions about how these techniques work.
Also check out Tamora Pierce’s Tortall series particularly First Test and Page in The Protector of the Small quartet. Tamora Pierce is one of the few authors that write fight scenes I feel comfortable recommending for reference.